Category: General

  • Creator of All – First song fulfilling Vox and Lux vision

    With the recent release of the Ambrosian Hymns album by Augustinus Vox, this means we now have two versions of the same song by both Augustinus Vox and our sister band Sapientiae Lux. You can hear them both below to compare them. Which do you like best? I can’t decide! Both are great and I am a little astonished at how good each turned out.

    Augustinus Vox

    Sapientiae Lux

    P.S. – If you want a unique treat, listen to this simulated live version of the Lux version that I toyed around with as an encore for a simulated live Vox show experiment.

    https://suno.com/s/BmnUQvdeHO1x4KdX

  • Happy Thanksgiving! Our new album “Ambrosian Hymns” is Released

    Click the image to listen. Keep reading below for a quote from Augustine about the hymns.

    When Augustine wrote his famous work known as The Confessions, he mentions his return to Milan and these hymns. The passage below is found in Book 9 and is well worth the read. I find the anecdotal note about Alypius’s icy feet a little humorous. Wish I had included an Icy Feet song in the Return to Milan album. Anyways, enough chatter from me… here is the full quote. Hope you find it encouraging and enlightening!

    Then, when the time came for me to give in my name, we left the country and returned to Milan. 
    Alypius also decided to be reborn in you along with me. He had already clothed himself in the humility fitting for your sacraments, and, as a very strong master of his body, he even went so far—by an unusual boldness—as to tread the icy Italian ground with bare feet.

    We also drew to ourselves the boy Adeodatus, my son according to the flesh, born from my sin. 
    You had made him well, Lord. He was almost fifteen years old, and by his intelligence he surpassed many serious and learned men. I confess your gifts to you, Lord my God, creator of all things, so mighty in reshaping what in us is misshapen; for as far as I was concerned, I had nothing in that boy except my sin. That he was being brought up by us in your discipline was something you inspired in us, no one else. I confess your gifts to you.

    There is a little book of mine called On the Teacher: in it he speaks with me. 
    You know that all the ideas put there into the mouth of my conversation partner are his, when he was sixteen years old. I experienced many other, even more wonderful things in him. That mind of his filled me with a kind of fearful awe—for who but you is the craftsman of such marvels?

    You quickly took his life away from the earth; and now I remember him with a calmer heart, fearing nothing anymore for his childhood, or his adolescence, or in any way for that person. We had joined him, our contemporary, together with us in your grace, to be raised in your discipline; and we were baptized, and the anxiety about our past life fled from us.

    In those days I could not get my fill of that astonishing sweetness, as I contemplated the height of your plan for the salvation of the human race. 
    How greatly I wept during your hymns and songs, deeply moved by the sweet singing of your Church! Those voices flowed into my ears, and the truth was distilled into my heart; the emotion of devotion welled up from there, and tears ran down, and I rejoiced in them.

    Not long before this, the Church of Milan had begun to practice this kind of consolation and encouragement, with great zeal from the brothers who sang together with one voice and one heart. It had been about a year, or not much more, since Justina—the mother of the boy-king Valentinian—had begun persecuting your servant Ambrose because of her heresy, having been deceived by the Arians.

    The faithful people kept watch in the church, ready to die with their bishop, your servant. There my mother—your handmaid—was among the first in care and in vigilance, living in continual prayer. We ourselves were still cold from the heat of your Spirit, yet even we were stirred as the whole city stood amazed and shaken.

    Then it was decided that hymns and psalms should be sung, following the custom of the Eastern churches, so that the people would not waste away under the weariness of sorrow. And from that time to the present this practice has been kept, now by many—indeed almost all—of your congregations, and even the rest of the world has imitated it.

    Then you revealed to your bishop—your servant already mentioned—through a vision where the bodies of the martyrs Protasius and Gervasius were hidden, bodies you had stored for so many years, incorrupt, in the secret treasure-house of your keeping, until the right moment to bring them forth to restrain the fury of that woman, though she was a queen.

    For when these relics were uncovered, unearthed, and carried with due honor to the Ambrosian basilica, not only were those healed who were tormented by unclean spirits—who openly confessed the demons afflicting them—but also a certain man, blind for many years and well-known both to the city and its citizens. When he asked and learned the reason for the joyful uproar of the crowd, he leapt up and asked his guide to take him there.

    When he was brought to the place, he asked to be admitted so that he might touch, with a cloth, the bier holding the precious bodies of your holy martyrs—whose death is precious in your sight. When he had done so, and had brought the cloth to his eyes, they were instantly opened.

    From there the report spread; from there your praises burned bright; from there the mind of that hostile woman—though not brought to the health of faith—was nevertheless restrained from her frenzy of persecution.

    I thank you, my God. How did you lead my memory to this point, that I should confess these things to you, which I had forgotten and passed over though they were great? And yet, at that time, when the fragrance of your ointments was so strong, we still did not run after you; and therefore I wept all the more during the singing of your hymns—once sighing for you, and at last beginning to breathe again, as far as one can breathe in a house of straw.

  • Pray, Worship, Listen

    A new Augustinus Vox album is now available at the link. It might be the only place without ads where you can listen for free?

    https://suno.com/playlist/b17fe884-dc5f-49ae-9d34-87afb874c0a4

  • Orabo (I will pray)

    I continued to return to the Ambrosian hymn fragment “Orabo mente Dominum” (found here) as I gave thought to the upcoming Ambrosian Hymns album. Personally, I have been listening to it for about a month and think it’s the best album yet. Midway through the album is a song inspired by the earlier mentioned hymn which I call Heart and Spirit on the album. It is unique on the album, being a true blue rock song in the midst of what I would call very rockin’ hymns. It is almost like an intermission in the album.

    I felt I wanted to continue working with that same hymn as I was reflecting on the idea of prayer in the spirit. So this prompted a very interesting experiment that resulted in the cool instrumental song below. I also have two other versions of it: one with the hymn in Latin and one in English. I may post them someday.

    Someone could ask, “Why are you doing hymns of Ambrose when you are focused on Augustine?” It is a great question. What I found out was you have these two Christian thinkers whose paths crossed during this stage of Augustine’s life. Think of it like you crossing paths with your pastor or mentor or a good friend and kindred spirit. Also Augustine in one place actually mentions Ambrose’s hymns. So I’ve been waiting to do this for a while to get into something a bit different than the heavy philosophical albums of before. They are good, but doing them made me want to do more overt worship songs. Often when exploring Augustine in Cassiciacum, I kept hearing the call of Ambrose’s hymns.

    Before I post the video, let me supply what I have on Suno:

    Orabo means “I will pray” in Latin. This instrumental was inspired by an upcoming song “Heart and Spirit”; both songs are drawn from the same Ambrosian hymn fragment “Orabo mente Dominum”. Here is the translated hymn:

    I will pray to the Lord with my mind,

    and I will pray with my spirit too.

    Let it not be only my voice that sings to God

    while my thoughts wander elsewhere,

    pulled off-course and drifting,

    caught up in empty distractions.

  • Live Show Friday – November 14, 2025

    Tonight we have a special presentation:

    A third attempt at an ALIVE show. Not the last attempt but for sure the most recent! Maybe the most polished.

    https://suno.com/playlist/ffd33db3-36c7-4b4e-add1-c95099d8c274

  • Sapientiae Lux Debut – CREATOR OF ALL (Single)

    Sisters and brothers, rejoice as Sapientiae Lux goes live! The debut song is CREATOR OF ALL, a song inspired by Saint Ambrose’s Hymn “Deus creator ominum”. Click the image to listen on YouTube.

    Spotify link https://open.spotify.com/track/39XIpSJ0uSnXcjE1RALJMW?si=EIfD-qbLQTmQ1nD1evQ73w

    Find out more about the project at sapientiaelux.com.

  • Live Show – Friday, October 31, 2025

    Tonight we have a double feature.

    Against the Skeptics Take 2 (because I still have not figured out live music or because Suno has difficulty with live music covers)

    AND

    Dilexi Te (because it seemed worth reading as a Christian and because before I read it I performed a test to turn it into rock music)

    Disclaimer: An A.I. was used in the generation of these songs. The human was just a happy bystander.

    Also, if you want to actually listen to Dilexi Te, then try the download below.

    Disclaimer x2: Very little QA was performed for these.

  • Live Show – Friday, October 17, 2025

    Experiments in live music for fun!

    Against the Skeptics Live Take 1

    Totally has errors but shows great potential.

    Also a hidden gem at the end.

    Enjoy!

    -Kyle

    P.S. For the best experience, you should wear headphones.

  • Take the Journey to Milan Instrumental Style

    Well, it’s now out in the wild. You can now check out Return to Milan: Instrumental Meditations. Click the cover to listen now and enjoy those Cassiciacum skies.